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The biggest
laugh in Eugene Jarecki's documentary Why
We Fight occurs when a corporate executive
declares "God bless our contractors!" at a military
armaments convention. But this is no comedy; it's
an op ed piece that will make you mad. People with
politics akin to to Jarecki's (and mine) will feel
like cursing U.S. government pretensions for recent
military operations in the Middle East while neo-cons
from the "red" regions will blast the filmmaker
for his liberal "propaganda." However, you're not
likely to hear much about Jarecki's film as it flies
under the radar and plays at a local arthouse for
a week or two.
While Michael Moore thrives
on controversy and generates considerable popular
appeal through humorous confrontation, Jarecki doesn't
generate that kind of publicity. About the only
people that will see this film will be other progressives/liberals
that already agree with its politics. Keep in mind
that despite the remarkable box office of Fahrenheit
9/11, George Bush still won the election.
Therefore, don't expect Jarecki's film to change
U.S. policy or spark a Congressional investigation,
despite including a significant segment with Senator
John McCain and basing the film's thesis on President
Eisenhower's final warning speech about the "military-industrial
complex."
Jarecki's film elevates
Eisenhower to prophet status, adding additional
components to the vast systematic U.S. war machine
that now includes Congressional complicity and influential
"think tanks." You can't even get a rise from
the current regime by citing Vice President Cheney's
obvious ties to Halliburton and their uncontested
huge contracts in Iraq--not even when disclosing
Cheney's income tax records declaring over sixty
times as much accumulated wealth since taking office.
Administration officials merely shrug this off,
stating that the Vice President has severed all
ties to the corporation. They don't delve into his
finances, unlike Charles Lewis, who states, "We
elected a government contractor as vice-president."
The film weaves archive
footage (Eisenhower, Viet Nam, the Gulf War, Iraq,
etc.) with modern interviews intended strictly for
the film. To give the appearance of balance, Jarecki
does include footage from both sides, yet the film's
construction transparently reveals its slant early
on. The naive New York City youth that bookends
the documentary is as blatantly used to illustrate
Jarecki's thesis as he is exploited by the army
recruiter. We can only roll our eyes as the 19-year
old orphan enthusiastically talks about how the
army is his dream answer to the sweet life. Such
ideas have been explored for many years. A century
and a half ago Thoreau spoke of such men that "put
themselves on a level with wood and earth and stones;
and wooden men can perhaps be manufactured that
will serve the purpose as well."
While short sequences of
supportive military personnel currently involved
in Iraq are included, much more time is given to
disillusioned Lt. Col. Karen Kwiatkowski, who resigned
from the military when witnessing how the military-industrial-Congressional-think
tank complex was plunging the U.S. into Iraq and
likely beyond. Jarecki shows what many like-minded
progressives already realize--government collusion
with corporations for profit, media manipulation
for propaganda, U.S. commercial imperialism, covert
C.I.A. coup d'état operations, "smart bombs" that
are killing massive numbers of civilians instead
of intended targets, etc.
The most compelling sequences
involve Jarecki's example of an average citizen,
who was angered by 9/11 and wanted ass-kicking revenge
in a big way. Retired New York policeman Wilton
Sekzer lost his son in the World Trade Center, and
he emails the military a request to put his son's
name on a bomb to be used in the coming Iraq War.
After a bewildering bureaucratic trail of forwarded
emails, Sekzer eventually gains his request, and
he feels a measure of redemption. But then, President
Bush publicly admits that Iraq and Saddam Hussein
had nothing to do with the 9/11 attacks, and Sekzer
is devastated. He feels that his patriotism and
anger have been deliberately manipulated and that
President Bush blatantly lied. He muses how he can
ever believe anything about the U.S. ever again;
that it's really bad when you can't trust your president.
Many fellow wagers of Peace
already realize this, but it's encouraging to see
provocative ideas come to the big screen, even if
Why We Fight plays to
small and like-minded audiences. After a day of
being surrounded by milk-toast media, conspicuously
conservative FOX "News," and right wing radio talk
shows, it's refreshing to share a screening of Jarecki's
documentary with others and know that we're not
alone. Most Americans act like sheep, trusting that
the government is right and will continue to dominate
the globe; but Jarecki reminds us that there is
no reason to believe that U.S. supremacy is destined
to last forever.
In fact, the government
may have already abdicated its responsibility, just
as Eisenhower predicted nearly a half century ago.
Jarecki doesn't offer ideas that can't be gained
from critical reading and research, but it provides
an overview that may spark further investigation
and discussion among the open-minded and progressive.
Or it may do what it did for me--rekindle anger
about the system, remind me of the overwhelming
odds against bucking the system, yet provide a glimmer
of solace that other like-minded peace seeking souls
exist. More than a few of us would like to see the
U.S. return to its ideals and truly become a force
for good in the world.
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